Danielle Hoogendoorn works impulsively and associative, and so is her use of materials. Based on her experiences, she tells her stories portrayed by her favourite animals. Animals play and important role in her life and work. They are a means to see how far she can go before the border between art and kitsch is crossed. Even though Daniëlle’s work appears sweet and girly at first sight, things are not always as peaceful as they seem. Through her direct approach she tries to take the formal character of painting and the museum’s white wall out of account, looking to redefine these existing conventions with banality and humour.